Publications
ESSE Publications
European Journal of English Studies.
Click here
for call for contribution/papers.
HASE Journals
The journal Gramma is published annually by the Faculty of English,
Aristotle University of Thessaloniki.
http://www.enl.auth.gr/gramma.
The e-journal Synthesis is published annually by the Faculty of
English Studies, University of Athens.
http://synthesis.enl.uoa.gr.
HASE Publications
The following conferences, and subsequent publications, have taken place
since HASE's inauguration in 1990. For information on the volumes, apply to the
individual editors.
- 1-4 April, 1993, at Aristotle University of Thessaloniki. Logomachia:
Forms of Opposition in English Language/Literature. Proceedings of the
conference were published in Thessaloniki in 1994 under the same title, and
edited by E. Douka-Kabitoglou. ISBN: 960-243-164-9
- 28 March - 1 April, 1996, at the University of Athens. Anatomy in
Logos: Anatomies of Silence. Selected proceedings of the conference were
published (Athens: Parousia Publications) in 1998 under the title Anatomies
of Silence, edited by Ann R. Cacoullos and Maria Sifianou. ISBN:
960-8424-11-9
- 7-10 May, 1998, at Aristotle University of Thessaloniki. The Other
Within ... Selected proceedings of the conference were published under
the same title in 2001 (Thessaloniki: Athanasios A. Altinzis publications),
and edited by Ruth Parkin-Gounelas and Effie Yiannopoulou. ISBN:
960-91636-0-2
- Fourth International HASE Conference held at the University of Athens on
24-27 May, 2002, entitled "The 'Periphery' Viewing the World: Language,
Literature, Media, Philosophy". Selected papers from the conference were
published in a volume titled The 'Periphery' Viewing the World. Ed.
Christina Dokou, Efterpi Mitsi & Bessie Mitsikopoulou. Parousia Publications
in English Studies 60. Athens: Parousia, 2004.
- 14-18th May, 2003 HASE, in collaboration with the School of English of
Aristotle University and the Hellenic Association of American Studies
(HELAAS), organized a large international conference entitled "The Flesh
Made Text: Bodies, Theories, Cultures in the Post-Millennial Era". Selected
papers were published as Volume 11 of Gramma/ ÃñÜììá, entitled Wrestling
Bodies, ed. Zoe Detsi-Diamanti, Katerina Kitsi-Mitakou & Effie
Yiannopoulou, Thessaloniki: University Studio Press, 2003.
- Sixth International HASE Conference held at the University of Athens on
October 20-23, 2005, entitled “(Re)Constructing Pain and Joy in Language,
Literature, and Culture”. Selected papers from the conference were published
as a book entitled Reconstructing Pain and Joy: Linguistic, Literary, and
Cultural Perpectives. Ed Chryssoula Lascaratou, Anna Despotopoulou &
Elly Ifantidou. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2008.
New Books by HASE members
Emmanouil Aretoulakis, Forbidden Aesthetics, Ethical Justice, and
Terror in Modern Western Culture (USA: Lexington Books, 2016), 182 pp. ISBN
978-1498513128.
Forbidden Aesthetics, Ethical Justice, and Terror in Modern Western Culture
explores the potential links between terror and aesthetics in modern Western
society, specifically the affinity between terrorism and the possibility of an
aesthetic appreciation of terrorist phenomena and events. But can we actually
have an aesthetic appreciation of terror or terrorism? And if we can, is it
ethical? The author insists, paradoxically, that it is.
More here ...
Emmanouil Aretoulakis, Artificial Natures, Unnatural Desires and
the Unconscious Other. St. Thomas More's Utopia and Sir Philip Sidney's New
Arcadia (Saarbrucken, Germany: Omniscriptum, Scholar's Press, 2015), 271 pp.
ISBN 978-3-639-76731-5.
This book explores the notion of artificiality in Renaissance England. What
is the artificial in English Renaissance Culture and Literature? In More's
Utopia and Sidney's New Arcadia, the artificial element assumes the dimension of
a new kind of technological nature which transcends the "artifice-nature"
dichotomy. In the two works, artificial natures and fake desires become natural
and authentic in a retrospective and unconscious fashion, thus problematizing
the very nature of Renaissance reality.
More here ...